Analysing the
“The Kill (Bury Me)” Music Video
CAMERA
·
Many
wide shots: shows the size of the hotel and how empty it is. Gives a sense of
mystery and fear.
·
High-angle
close-up of Jared Leto singing up at us. It is as if he is singing to a more
dominant presence.
·
Quite
controlled, no out-of-control handheld shots – sense of normality brings a more
ghostly effect.
·
Slow-moving
shots, usually going forward, adds to the ghostly effect as well as build up
tension.
·
The
Visitors do not have any close-ups until they ‘become one’ with their doubles.
·
Their
doubles are given many close-ups, suggesting they are more ‘real’ than the
Visitors.
·
Lower
angles for the instruments but not for the players’ faces. The instruments
dominate them.
·
Low-angle
wide of the exterior of the hotel – a scary and superior presence.
·
Shots
inside the hotel are often high- or mid-angled for that spectral presence
either to be dominant of or to dominate the Visitors.
·
Split-screen
cinematography to create the illusion of doubling a character.
EDITING
·
Very
rapid cuts of ghosts in-sync with the tempo of the song – the images give off a
feeling of overwhelmingness, confusion and fear.
·
Many
shot/reverse shots to display the reaction of characters – which brings us to
their level.
·
Mirror-image
effect to provide a surreal, psychedelic atmosphere suiting the idea of ghostly
doubles (which also gives a sense of monstrosity).
·
Fade
transitions toward the end – giving a sense of death and conclusion. The music
suddenly cuts out and the last fade is extended. DEATH.
·
Title
cards to give a sense of plot and narrative – very sudden and unexpected.
Brings fear.
·
The
sound at the beginning seems to be a loud wind – but connotes a ghostly fear.
·
Typical
horror film music to establish the genre of the video.
·
A
loud bell synchronising the different shots of the hotel together. Apart from
the orchestra, nothing else can be heard within the film. The bell seems rather
medieveal in so modern an interior. Gives off the sense of a gothic horror
scenario.
·
Edits
between the Visitors and the Doubles – we follow both kinds of characters but
one is more mysterious than the other.
MISE
EN SCENE
·
Location
Empty
hotel – a very spooky setting.
Outside
the hotel seems smaller than the inside, giving off a sense of the supernatural.
It is also far more gothic than the interior.
·
Costume
The
Visitors wear black clothing, eyeliner and nail varnish. Their whole image is
gothic.
Emoish
because of the long, black hair of Jared Leto and Tomo Milicevic.
Doubles
wear 1920s tuxedos – reference to the happenings of the Overlook Hotel in The Shining.
·
Props
Skateboard
– used by Tomo to glide around the hotel, similar to Danny and his tricycle in The Shining. It also gives us the sense
that this character is quite rebellious.
Bouncing
Ball – used by Jared Leto to throw at the walls. Quite aggressive. The sound of
the ball marks a transition in the narrative.
Typewriter
used to show madness.
REPRESENTATIONS
·
Women
seem to be only good for sexual activities: woman in bath towel kissing a
performer, two lesbians kissing each other. Fits in with Laura Mulvey’s male
gaze theory.
·
Women
are the only ones who are brutally killed.
·
Men
are dominant in this video – have a superiority over women. Men wear black or
dark colours, women wear much lighter colours. This coul connote a difference
in strength.
GENRE
·
Post-prog
·
Alternative
rock
·
Emo
·
Post-hardcore
INTERTEXTUALITY
This
video conforms with Goddwin’s theory of intertextuality with its copying of the
The Shining’s plotline as well as the
set design, props and actiosn of the characters.
AUDIENCE
·
Teenagers
The
gothic and rebellious feel of the video.
The
horror film aspect
·
Men
There are
only male protagonists in the piece with women taking part in sexual
activities.
·
White
Americans
No black
people or foreigners in the video.
·
The
emo culture
Contains
the emo look.
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